太鼓の家族
下に日本語で書くことがあります。 If you spend any time at all in Japan, you will hear and see TAIKO. 
Taiko is traditional Japanese drumming, especially popular around neighborhood festival (matsuri) season. Taiko is essential for Bon Odori, the lovely Japanese group dance done around a raised platform on which a taiko drummer keeps the beat, and you will often hear taiko resounding from deep within a temple or shrine.
When I think of taiko, I can hear the deep, loud, 
full beat of the nagado daiko (the most popular kind of taiko drum), the way it starts slow, don.., don.., don.., and gradually increases in volume and speed, joined and joined again by other rhythms, becoming something I feel to the core, something wonderful and moving. And when I think of watching taiko, I think of my best friend and her two handsome sons performing with their group. Yes, they are truly a "Taiko Family" along with Dad who supports their taiko habit and takes pictures.
When I first met Rebecca, nearly nine years ago, she was already into Taiko. At that time, she was taking beginner taiko classes at the Tokyo American Club from Moko Igarashi, who is still her teacher today. Rebecca had attended the TAC orientation program for people new in town, "Tokyo Here and Now" and had watched Moko-sensei and some of her more advanced students perform a couple of pieces. She instantly fell under the spell of taiko and signed up for classes that very day. Her boys were very young then, preschool and second grade, but soon they were taking classes too. 
A tiny woman of unbelievable energy and talent, Moko Igarashi runs the taiko school, Miyabi Arashi, which means "Beautiful Storm". She teaches children and adults in various Tokyo locations, such as ASIJ, the American Embassy Compound, the British School, Nishimachi 
and Tokyo American Club. Moko teaches in English and in Japanese, often both. She has quite a personality, is friendly and outgoing and seems to have an endless supply of personal energy, and boundless enthusiasm for taiko. For a couple of years, Jonah took taiko classes, so I would drop him off and pick him up, and it was always thrilling to hear the taiko drums, which, though covered in towels to muffle the sounds during practice, were still thunderous and thrilling, partnered with Moko's instructive yells and whoops. I even took classes myself for awhile, but I really don't have the endurance (or the rhythm) that taiko requires. I'm glad I tried it, though, as I can appreciate a performance so much more having held the bachi (sticks) in my own hands. It is much, much more difficult than it looks, but oh so fun, from the very first day.
Which brings me back to my friend and her "Taiko Family". For years, Alexander and Ellis, along with their mom, have attended a two hour class every week, and then would have additional extended practice sessions twice a month. Like with any other musical instrument, 
practice is essential, but taiko is really loud, so neighbors don't appreciate it if you practice at home with a real taiko drum. As the boys grew older and stronger and taller, they became more and more skilled. Some years ago, Moko asked Alexander, the oldest boy, to join her advanced troup. He continued to put out his best effort and enjoyed performing with this select ensemble in many special venues throughout highschool. He's performed in the ballrooms of fancy hotels at parties for famous people and to huge audiences in major auditoriums. The whole family has traveled to far off places in Japan to attend taiko events such as Kanezawa in Ishikawa Prefecture, Kofu in Yamanashi Prefecture and to the Sato Island Earth Celebration, as well as places closer to home such as 
Yokohama and Yoyogi Olympic Stadium.
When it came time for Alexander to compose his university application essay, he wrote quite eloquently about going to taiko practice when he would rather play with his friends, getting up on stage even though he's quiet and reserved, and all the ways he felt that taiko had impacted his development. Alexander was accepted into the college of his choice, and now it looks like Ellis will be following a similar path. Moko has 
asked him to join her elite troupe.
Taiko's range is broad. Moko teaches small children, and she perfoms with her own teacher, the master Sen Amano, who has been playing taiko for more than fifty years. The performers play various types of drum, using their sticks not only on the tops, but on the sides, against each other, and in the air, as well as other instruments such as mokkin, a kind of xylophone, shinobue, a bamboo flute, and chan chiki which are small cymbols. Generally the heavy drums remain stationary and the players move among them, such as in "River Piece". Other popular pieces are "Running Horse", "Chichibu", and "Edo no Hana".
Please take a look at these photos taken by Zhongmin (also known as Dad.)
上の物語を要約してみます。すみませんですが、私の日本語は上手じゃないから、
多い間違いをしたので、英語の物語を訳してながら、たくさんのを失います。でも、英語の物語を読まなかったら、意味を分かれると思います。それで、私の日本語の勉強することです。
日本に来たら、時間が過ごしたら、太鼓を見て、聞きます。太鼓は伝説の日本のドラムすることです。人気があるだので、とくに近所の祭りで、盆踊
りのため必須です。神社や寺院から太鼓の音響が聞こえます。
私は太鼓について考えたら、長胴太鼓が聞きます。先ず、ゆっくりのビットはだんだんもっと大声になります。だんだん速くなります。他の韻律は参加してので、私の体野中にすばらしいことが感じれます。太鼓を見ることについて考えたら、いつも一番の友達の家族を考えます。レベカという友達と二人のハンソムの息子は太鼓をすることができるので、レベカのご主人はスポートして、写真を撮ります。
昔の８年以上にレベカと会ったときに、彼女はすでに太鼓をしています。いがらしもこ先生から東京のアメリカのクラブで初心のクラスをするので、今まだもこさんは先生です。レベカは初めてにもこさんに見たときに、もこさんはアメリカンクラブで特別な太鼓のパフォーマンスをして、レベカは直ちにクラスをサインアップをしました。その間に、二人の息子さんはとても若いけど、もう直ぐに二人も太鼓を始まりました。
いがらしもこさんは雅嵐の太鼓の学校を創立をしたので、もこさんはとても面白い人です。彼女の精力と才能も凄いです。いろいろ東京のところに事もたちと大人たちも教えます。たとえば、東京アメリカンクラブとか、西町学校とか、アメリカンの大使館の住宅とか、ブリトシの学校とか、ASIJ（モニカとジョナの学校）。日本語で、英語も教えますので、たびたびに両方使います。もかさんの個性は自身で好意的なですので、太鼓の熱中症は高いです。二年間ぐらいジョナも太鼓のクラスをするときに、私は連れて行って、連れって着てながら、わくわくさせたの音を聞こえました。練習ながら、タオルが太鼓をおおったけど、音は雷のようなあります。もこさんの教えたの大声で叫ぶことも聞こえたので、面白いクラスだと思います。私もしばらくにクラスをとったけど、残念ながら、
太鼓の必要な我慢とリズムがありません。でも、やってみたことがうれしいなので、パフォーマンスを見たら、もっと分かります。
たくさん年間で、レベカとアレグザンダーとエリスも毎週２時間のクラスを参加したので、毎月に延ばしたの練習もしました。他の楽器を学ぶことのような、練習は要るけど、太鼓は煩いだから、家でできません。そして、二人の男の子は背高くなって、強くなって、上手になります。そして、もくさんはアレグザンダーに精鋭な太鼓のグルプに参加し招待をしました。高校生で、よく努力をしてので、たくさん面白いパフォーマンスをしました。いいホテルで、有名な人のためパーティで巨
大聴衆席も太鼓をしました。家族はいろいろ日本のところにパフォーマンスをしに行きました。たとえば、石川県のかねざわとか、山梨県のこふなど、さと島の地球の祝賀も、横浜と代々木オリーピクステージアムもパフォームしました。
大学に適用するときに、アレグザンダーは雄弁なイッセーを書きました。もちろん、太鼓について書いたので、子供のごろに練習をしたくなったなど、ステージの上に行かなかったなど、いろいろ方法太鼓は生活を影響させました。よかったですので、アレグザンダーは一番欲しいの大学に受け入れました！たぶん、エリスも同じコースであるので、最近もくさんは彼に特別なグルプに招待をしました。
太鼓の範囲を広いです。もくさんは小さい子供たちと大人も教えます。時々、もくさんは自分の先生とパフォームして、せんあまの様は５０年間に太鼓をしっています。いろいろ太鼓の種類だので、他の楽器も使います。たとえば、篠笛とか、ちゃんちきなど、木琴、フルートも使います。パフォーマンスの間にばちは太鼓の上段とか、側とか、空気も使います。大体重い太鼓は動かないので、皆はダンスをします。人気がある歌はチチブとか、走馬とか、内川太鼓とか、江戸の花などです。
ジョンミンという父親は撮ったの写真を見てください。
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